He gained his invaluable experience in Interior Design as a Managing Director of Ruang Studio Sdn Bhd and Principal of Ruang Design and has won many prestigious Award for professional category in Interior and Furniture Design. His is specialised in interior of Showroom, Corporate Office, Healthcare and Hospitality design.

IDr Mohd Noor Ariffin has involved with more than 30 local manufacturers for export market under PDP 1, PDP 2, PDP 3, PDP 4 and PDP Muar. He is a Registered Interior Designers with LAM, Corporate Member of MIID and member of TANGGAM. He also involved in numerous furniture exhibition in Milan and in Malaysia. His passion for furniture design has started since 30 years ago when is working in a small furniture factory after secondary school. The interest to know more about design process and the making of furniture grew while he was doing his Master in Architecture and Interior Design in London, United Kingdom. There, he explored the idea of modernity and simplification of true design process.

His design ethics is to work together with the manufacturer to strengthen and to understand their design process and concept material to create a better value in design idea, production and final product.

He is also a Senior Lecturer in Universiti Teknologi MARA for 22 years and involved in setting up New Curricullum for Degree Programme for Year 2022 onwards. His idea on education is framed within the idea of critical thinking and design process.

His research on academic on early stage is to improve on design education level with pragmatic approach in fragmenting design idea and concept and very much interested in Exporting Regionalism in design approach. He also involved in research on Kutai houses as an effort to categorised the houses type, form and style from 100 over traditional houses in Perak.

EXPERIENCE

Patrick Chin has been in the interior design industry since he graduated from PJ College Art & Design (PJCAD) in 1991. Having worked with some of the prominent design and fit-out firms in Singapore and Malaysia, his skills and design approach reflect the 28 years of being in the field, not short of his hardwork, commitment and constant desire to experiment with new ideas which led to achievements today.

Since then, Patrick has partnered with independent professionals and organisations in design and build projects of various industries; residential, retail, commercial and hospitality. His designs reflect his strong belief that functionality always comes first before aesthetics/form, followed by practicality because a nice design that is not user friendly or with no purpose is pointless.

After graduating from Polytechnic with a Diploma in Mechanical Engineering, he embarked on a career in freelance installation and servicing for residential split-unit air conditioning systems. With a Certificate from government skills institute, as well as valuable experience gained from past internships, he seamlessly transitioned into this field.

Subsequently, he pursued further studies, earning a Bachelor’s degree in Mechanical Engineering (Hons.). Upon graduating, he assumed the role of a project engineer, overseeing projects involving commercial HVAC system & control. Additionally, he took charge of fire alarm system projects prior to this role.

Joining Daikin Malaysia as a Quality Control & Quality Assurance Engineer in 2016, he actively responded to numerous customer quality requests across Malaysia and other Asian countries. Leveraging his expertise in problem-solving and failure analysis of HVAC equipment, including split-unit ACs, package units, and chillers, he also part of development and improvement team together with R&D and manufacturing to maintain sustainability of Daikin Malaysia‘s product in market.

On 2018, he established VRV installation training and created PROSHOP standard installation quality and material in Malaysia. He underwent multiple on-the-job training in China, focusing on PROSHOP sales and installation, subsequently implementing enhancements in installation techniques, training programs, and on-site support across Malaysia and other Asian regions.

His primary areas of expertise include VRV air cool & water type, VRV Home, project management, and installation quality control with more than 50 residential & commercial completed projects.

With over a decade of experience in the HVAC industry, he now serves as a trainer for VRV installations and managing a team dedicated to PROSHOP design and installation projects in Malaysia.

SELECTED PROJECTS

RESIDENTIAL
Harding’s Residences: Sec 5, P.Jaya, Bkt Timah & Clementi Park, Sg.
John Wang’s Residence: El Monte, California, USA
Datuk P Velappan’s Residence: SS1 Kg Tunku, P.Jaya
Jean Baptiste Fayet’s Residenc: Taman Sa, Damansara Heights
Tay Family Residence: Country Heights Damansara
Ms Lim LL Residence: One Menerung, Bangsar
Ms Alyaa Jamaludin’s Residenc: Damai Suria, Jln U-Thant, KL
S.Senja’s Residence: Tanarimba, Janda Baik, Pahang

HOSPITALITY
Traders Hotel Kuala Lumpur: Rooms &Public Spaces

CORPORATE OFFICES
Petronas Twin Tower 2 offices for KLCC Berhad
Petronas Twin Tower 1 – VVIP Lounges for the President
Rozali Ismail & Co, TTDI Plaza
Menara Binjai Management Office & Auditorium, Lorong Binjai, KL
The Big Rajah Corporate Office, Taman Sea, P.Jaya
KTK Group, Damansara Perdana,Selangor
Grace Convention centre and offices, Taman Mayang,P.Jaya

MEDICAL INSTITUTIONS
Ampang Puteri Specialist Hospital, Ampang, Selangor
Woo Clinic, Gleneagles Specialist Hospital, Jalan Ampang, K.Lumpur
OTHERS
KLCC Fitness Centre, PTTower1, KL
Kelab Rekreasi MISC Bhd, Kompleks Dayaabumi, KL

Ar. Idr. Nur Safuraa Abd Razak is a multidisciplinary designer with a lifelong passion in art and design. With over a decade of experience, her diverse portfolio encompasses projects in Multi-Housing, Hospitality, Commercial, and Institutional developments across both private and government sectors. Holding a Master’s degree in Architecture from the Royal Melbourne Institute of Technology and having gained valuable experience at Berlin TU and Innsbruck University, she possesses a global perspective that deeply influences her holistic design approach. Nur Safuraa is driven to create user-centric and transformative architecture, continuously pushing the boundaries of Physical Experience Design (PXD) and Spatial Branding. Noteworthy projects like the PD Container Resort, Container Villa, Kozu Villa by Daun Retreats, and experiential interiors such as Fowl Boys demonstrate her unwavering passion for innovative and unconventional design solutions that embrace the future while catering to the unique needs of diverse communities.

In crafting the interior design of these spaces, the overarching concept blends elegance, sustainability, and innovation. I draw inspiration from the Sustainable Development Goals (SDGs), integrating a commitment to a more sustainable future into every facet of my design. Throughout these rooms, you’ll find a harmonious fusion of nature’s beauty, modern luxury, and forward-thinking living.

My choice of materials mirrors this ethos. The concrete porcelain tile and timber slabs underfoot represent durability and eco-friendliness, aligning with SDGs to reduce environmental impact. Bronzite walls add elegance while prompting us to think about the precious resources of our planet. Swarovski crystal accents and artistic lighting underscore the importance of balancing innovation with timeless allure.

Wooden elements throughout promote warmth and a connection to nature, emphasizing our commitment to responsibly sourced materials. Sustainable furniture choices echo our dedication to minimizing our carbon footprint. In these spaces, plant decorations are more than aesthetic; they remind us of our dependence on the environment, urging us to safeguard it.

The seamless connection between rooms encourages a sense of unity, fostering sustainability not only in design but in the way we live. The library and study areas, open to the family mall, promote knowledge and a deep respect for learning. The gymnasium inspires active, eco-conscious lifestyles. Even the bedrooms are sanctuaries of rest, with energy-efficient lighting and cooling systems.

In each space, sustainability and luxury dance in harmony. As we look to the future, we’re reminded of the fragility of our world and the opportunities we have to make it beter. Through thoughtful design, we embrace the Sustainable Development Goals, turning our spaces into sanctuaries of inspiration, reflection, and conscious living.

The concept is inspired by the keyword ‘bubbles’ as bubbles have many interpretations. The bubbles with different shapes can fuse together or get alone when we see them, and one bubble can even contain more bubbles inside it, and some bubbles will have holes when we see them, and the comparison or contrast of normal bubbles and bubbles with holes produces a connection with ‘opportunities’ and ‘obstacles’ we make and meet in life, and we’ll feel happy or upset about it. The bubbles let me imagine a happy and well-being scene of people playing and relaxing in a garden and pure feeling. A home is a place of happiness and peace. This led me to design a lively house full of nature that give endless hope for everyday routine, and diversity and inclusiveness that give enough spaces for person in the house to do things publicly or privately and spaces for different groups or different age groups or different functions/purposes with no stress and without losing interaction. Malaysia is a tropical country and I love tropical-style houses. Therefore, to connect with bubbles, I choose to design a modern tropical house with plants and Malaysia ethnic characteristics from the aspect of materials mainly red bricks, concrete, terracotta, marble, and tile; textures like wood and stone textures, and colours with jumping tone and playing around the design on the floor layout, wall, and elevation of the house to make the vivid atmosphere.

The design named Unlooked Garden because it symbolizes lively, growth, beauty, and the nurturing of relationships has a whimsical and poetic quality that can capture the imagination of the audience, thus giving a thought-provoking artistic secret garden style feeling that conveys a sense of romance, wonder & exploration as bubbles are also giving mysterious feeling that stimulate the curiosity.

The Idea of ‘Interwoven Oasis’ is inspired by the need to reconnect back to nature in our own safe space, and it essentially goes back to the sustainable development goals. My design’s main concepts play with themes of seasons distinguished in the two story house: the ground floor with the main theme of summer and the lower ground floor winter, showcasing contrasting seasons in unity. The focus itself is on open spaces, which allows more effective natural and mechanical ventilation inside the house, and letting in natural light as much as possible. The whole concept of the house ties back to the idea of sustainability and comfort, and bringing back nature into the home, which is why I integrated many greens throughout each space.

Emphasising on the 2030 Sustainable Development Goals, the house utilises not only energy efficient systems like the Daikin air conditioning unit, solar power and rain water collection tank (climate action SDG 13), it does it also through sourcing sustainable materials and raw material to embellish the house (SDG 14,15 &12).

The concept of seasons in the respective floors connects back with Nature and provides a design contrast and atmosphere between the two spaces whilst in the same theme.

In the Ground floor I wanted to create an atmosphere of peace and healing so the design is oriented with the concept of summer and a modern Zen interior. Making use of sustainable wood material and raw stone finishes.

In the Lower Ground floor the emphasis points are of comfort and socialisation so the dark winter theme accommodates this enclosed and safe environment, the idea of comfort is from the image of a cave where it is cozy and dark. So the materials we use are more raw like concrete and stones with hints of wood.

My design concept is inspiration from ceramic craftsmanship, particularly from the work of Japanese ceramic artisan Tomoya Sakai. He is my client background in this project. My admire how Tomoya Sakai he translates the sculptures and creatures from his imaginative world into tangible ceramic pieces, using his hands and colors bring them into the life. Therefore, I have chosen these artwork, his “collection” and the diverse irregular shapes that emerge during the ceramic molding process as the central theme and my concept for this Daikin Youth Design Competition project.

I would like to design these elements to integrate into the owner’s life, providing companionship and imbuing them (ceramic craft) with additional functionality to make them more meaningful and enriching. And also I want to try challenge the conventional understanding of a “home” in modern times, moving away from a focus on expensive materials like marble, stainless steel, or high-end furniture. What I aim to archive is to bring Tomoya Sakai his lifelong fantasy world into the real world, and making them visible at anytime and inspiring the owner’s creativity. Furthermore, I was using material like soft touch plastics, fabric or soft touch leather to covering to introduce a different kind of luxury. And another important thing is, I bold and distinctive design for the casing of the ducted air conditioning system. It incorporates elements of ceramic craftsmanship and creates a completely new look for the air conditioning unit, breaking away from the conventional appearance. These transformation is meant to turn this house into not just a place of residence, its also can become a mysterious world by what owner’s imagine and artistic expressions. It can also serve as an exhibition space to showcase owner’s artwork and inviting visitors to come.

Kernel

“Home is where the heart is.” “Home means the place where we find love and acceptance. Home means the place where we find love and acceptance” Home, different people define it differently. But due to the rapid development of technology. The concept of home had become blurry and faded. People start to treat home as accommodation, a place to stay, a place to sleep. This causes the people living in a group, individually. Currently, the millennials and generation z experience varies kind of mental issue and mental health problem, especially in Japan and China. The lack of linkage between people and people bring a big impact to the society.

The Kernel, explore about the core and roots of a home, symbolise the central and the most important part of each human being. To enhance the sense of ownership of the residents, direct and indirect interaction between people and people are foster in Kernel. The solid and void are use as the main architectural element to contain the everchanging of daily life. The main courtyard act as the main void, allow naturaldaylight to be observe and acknowledge the everychanging of the both nature and the residents. Green and sustainable design are implement in Kernel, so that Kernel able ot achieve the core of SDG, which is have a well bioshepe as a the foundation, create a society with a compassion and improve the economy.

Last but not least, Kernel is try to redefine the concept of home in the current era, as the great architect Louis Kahn once said “Architecture is reaching out the truth”

SPACE OF THE FUTURE.For me, living in a relaxed and comfortable environment in the future world is a great choice. In my design, I used the natural state of mind to bring out the oppressive feeling in the future. In addition, proper sunlight and indoor environment can bring out a warm and relaxed life. Everyone in the future world can feel warm and relaxed in a stressful environment, especially in an environment surrounded by multiple landscapes. I introduce “Wabi-sabi” which originally from Japanese with the meaning of finding beauty in imperfection where “Wabi” refer to living with humility and simplicity while “sabi” is defined as the ability to accept the lifecycle of anything as it is – flaws and all. This concept combines natural inspirations and a neutral palette with a nod to the beauty in the imperfection of daily life and celebrates the knot in the wood or the wrinkle in the linen, the imperfection makes life perfection.To achieve wabi sabi style to respecting time and nature while revealing the essence of each element.the main material used throughhout the house is the wrinkle in the linen and wood texture.The house is flooded with natural light and shadow in many areas, and surrounded by plenty of interior scenery, creating a relaxing atmosphere.

Designing the Gundam Office in a futuristic style with a predominantly red, yellow and white colour scheme not only pays homage to the iconic Gundam series, but also offers many practical and aesthetic advantages. The shape utilizes a pointed angular design to match the combined shape of the Gundam

First and foremost, the futuristic design fits perfectly with the Gundam brand. Gundam is known for its advanced technology, cutting-edge mechs, and futuristic scenarios. By adopting a futuristic style, the office will immerse employees and visitors into the Gundam universe, creating a unique and inspiring workspace that resonates with fans and embodies the spirit of innovation.

The choice of colour is equally important. Red, yellow and white are the signature colours of Gundam, symbolizing the different elements of the series. Red represents strength, strength and Gundam’s fighting ability. Yellow symbolizes hope, optimism, and the brighter side of humanity that is often depicted in Gundam stories. White symbolizes purity, peace and the search for understanding in a world filled with conflict. Incorporating these colours into office design not only differentiates work areas, but also communicates the core values and themes of the Gundam series.

Additionally, these colours can have a psychological impact on employees. Red workspaces inspire energy and motivation, increasing productivity in application areas. The yellow craft zone enhances creativity and optimism, which are essential for problem solving and innovation. A white display area can create a calming atmosphere.

The incorporation of Gundam’s iconic elements into the office design will undoubtedly attract employees and visitors alike, making it a memorable and engaging workplace.

Welcome to Chloro Cutis, where the beauty of nature takes center stage in our greenery-themed design. The design rationale of this spaces revolves around the concept of “Natural Harmony,”. This space aims to create an immersive experience that seamlessly integrates the principles of sustainability, well-being, and aesthetic appeal. The color palette draws from organic elements, featuring earthy tones of greens, white, and colorful tiles. These colors evoke a sense of grounding and serenity, while also reflecting the beauty of mother nature. This space is characterized by organic shapes and sustainable materials. The interior of the Chloro Cutis exudes an inviting charm, adorned with lush greenery that whispers of natural vitality. As you enter, you’ll be transported to a tranquil haven filled with an abundance of lush plants and verdant foliage. As you step through our elegant entrance, you are enveloped in a serene atmosphere that instantly calms your sense. Step into the world of Chloro Cutis, there are different greenery blends into our eyes. The palette of soft neutrals and natural textures creates a sense of harmony, while soft lighting casts a warm and inviting glow throughout the space. Living greenery are used in the entire space, subtly reminding the connection between nature in our life. The design of this space is a canvas of originality and creativity, weaving together innovative concepts and immersive experiences that redefine traditional café retail. . Whether you’re seeking a tranquil escape or a refreshing place to gather, our greenery-themed café offers an enchanting experience that rekindles your connection with the natural world.

Recompose is a provider of compassionate pet death care services specializing in remains composting. With the mission of transforming grief into growth, the bodies are converted into soil through natural organic reduction. It offers a green alternative to existing disposal options such as cremation and burial. The resulting soil with nutrients can be used to plant a tree, enrich and nourish lands and gardens. From the memorial and paying tribute to the beloved pets to using the soil to nurture the growth of new life, this process aims to make death care healing and nourishing. It can also be a beautiful way to embrace and honor the circle of life.

The space creates a tranquil and uplifting environment, evoking a sense of paradise and providing solace for visitors. Inspired by the idea of eternal peace and natural beauty, this cemetery design aims to redefine the traditional notion of a final resting place. Materials such as wood, marble, glass, and more are commonly used in this space. The color scheme predominantly features brown and white to showcase the theme of nature and emphasize the harmonious atmosphere.

The public zones include a variety of facilities and services aimed at providing a better experience for visitors. Additionally, there are dedicated measures and spaces provided for people to commemorate and pay tribute to their beloved pets.

ONE:DERER, derived from the word wanderer: people who travels around rather than settling in one place. Inspired from the nature of a co-working space, where targeted users would temporarily rent a working space as it is more conventional, flexible, and cost saving rather than being in a traditional office.

Aims of the project is closely related to the street’s issue where targeted users will be exposed to new opportunities, through networking and opens to new projects collaboration or works with other people hence creating a sense of community and drives the economic growth of the street. Besides that, the project also aims to strengthen the social interaction that the street needed by the existing businesses to become functional, alive, and expandable following the issues arising from the street.

Some opportunities and potentials have been identified and this can be exploited to innovate a new change to the business’s owners. It is located next to KTM Klang station where usually workers would accommodate to travel to their workplace or students who ride public transportation to find places to study somewhere rather than staying at home.

From the site’s issues and potentials, I came up with a concept based on the characteristic of being visible. “Visible” refers to the act of capable of being discovered or perceived: recognizable. The intention of the concept is to be able to make the selected space visible to the public, having no boundary and inclusive to the society, to combat the Jalan Raya Timur current issues: dead and inconsistent social interactions occur. However, the opportunities are underestimated as the area is packed with businesses but remain stagnant and not expanded even though the potential is there. The aim of the concept is to help economic growth through collaborations and business interactions that could lead to innovations.

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EXPERIENCE

2020 – Current
FOUNDER
STATE Selangor, MY
• Founded a PXD (Physical Experience Design) studio focusing on scenography & spatial branding.
• Created bespoke designs based on clients needs and aspirations within allocated budget and time.
• Incorporated branding with interior design for commercial projects to enhance physical presence.
• Developed efficient layouts to improve productivity by understanding clients operations and services.

2016 – Current
ARCHITECT ASSOCIATE
AbRaz Arkitek Selangor,MY
• Design lead in research, brief, ideation, design, rationalization, documentation, and visualization.
• Client engagement and coordinating team of 4.
• Experienced in Multi-Housing, Commercial and Institutional projects for both government and private sectors. (KPKT, KBS, GBE Properties, WWH)
• Led multiple architectural projects worth up to RM21 million (Malaysia National Rugby Stadium).
• Assisted in 5 large scale completed projects worth RM69million onward (162 unit terrace houses).

2012 – 2016
GRADUATE ARCHITECT
AbRaz Arkitek Selangor,MY

2015 – NOW
EXTRACURRICULAR
Mowgli Store Selangor,MY
• A seasoned multilingual traveler visited 38 countries.
• Designed products for a Lifestyle brand, collaborated with cooperatives overseas, and refugees via UNHCR.
• Involved in Malaysian Timber Council program to design and build furnitures with local manufacturers.
• 1/82 members of #NikecraftWearTester program.
• Exhibited at ENDURANCE Art Show Organized by Tom Sachs @ Rockerfeller Center, New York.